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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Ituaiga: Comedy, Family, Drama
Faʻafiafia: Keiji Sada, Yoshiko Kuga, Chishū Ryū, Kuniko Miyake, Haruko Sugimura, Kōji Shitara
Auvaa: Yasujirō Ozu (Director), Shizuo Yamanouchi (Producer), Toshirō Mayuzumi (Original Music Composer), Yoshiyasu Hamamura (Editor), Tatsuo Hamada (Production Design), Yoshisaburo Seno (Sound Director)
Potu potu: Shochiku
Taimi taimi: 94 minute
Tulaga lelei: HD
Faʻamalolo: May 12, 1959
Atunuʻu: Japan
Gagana: 日本語
Upu autu : japan parent child relationship brotherhood protest inflation consumerism gossip noisy neighbor post war japan neighborhood criterion japanese family door to door salesman family dynamics mischievous children town gossip television set boys small talk missing money silence child outsmarts adult generational divide farting
