Ward Kimball
Mara maka: Visual Effects
Ubochi omumu: 1914-03-04
Ebe amụrụ onye: Minneapolis, Minnesota, USA
A makwaara Dị ka: Ward Walrath Kimball

The Reluctant Dragon (1941)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Roger Rabbit and the Secrets of Toon Town (1988)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Pixar Story (2007)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Waking Sleeping Beauty (2009)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Wizard of Speed and Time (1989)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Story Behind Walt Disney's 'Fun and Fancy Free' (1997)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

It All Started with a Mouse: The Disney Story (1989)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Pinocchio: The Making of a Masterpiece (1993)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Making of 'Pinocchio': No Strings Attached (2009)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Apollo: Missions to the Moon (2019)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Cinderella That Almost Was (2005)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

From Walt's Table: A Tribute to Disney's Nine Old Men (2005)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Mickey: The Story of a Mouse (2022)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

A Wish Came True: The Making of 'Pinocchio' (2000)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

It's Tough to Be a Bird (1969)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Disney Animation: The Illusion of Life (1981)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

One Hour in Wonderland (1950)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Walt Disney's Where Do the Stories Come From? (1956)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Walt Disney's Fables - Vol.6 (2004)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Fantasia Legacy: The Concert Feature (2000)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Nifty Nineties (1941)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Operation Wonderland (1951)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

Disneyland '59 (1959)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

The Disneyland Story (1954)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...

From Rags to Riches: The Making of Cinderella (2005)
While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him...